The Culture Cut: Art in Unlikely Places

Artist James Perkins at work. Photograph by Leila Brewster.

Artist James Perkins at work. Photograph © Leila Brewster.

This year, the most exciting art may not be inside the walls of a museum.

Art isn’t restricted to that which is painted, contained within a frame, and hung on the walls of a grand museum like the MET in New York City or the Louvre in Paris. Art can be an exquisitely designed dress, for instance, and it can be found anywhere—in the desert, on a beach, in an eyeglass shop, even. Here are four new exhibitions of beyond-the-frame art that are on our radar.

Florence, Italy

Known for his bold, pop-inflected sculptures, the artist KAWS crafted his massive new installation, “The Message,” in warmly burnished wood. The artwork—featuring two nearly 20-foot-tall figures, each of which holds a wooden smartphone—is a modern interpretation of a famous 15th-century fresco, “The Annunciation”, by Fra Angelico. Works by the Italian Renaissance painter, along with KAWS’s sculpture, are on view through January 25, 2026, at Palazzo Strozzi in Florence, Italy, which is home to Four Seasons Hotel Firenze.

A thoroughly modern interpretation. Photograph © Ela Bialkowska.

Paris, France

When he was a young man, in 1956, Azzedine Alaïa spent just four days as an intern at the legendary House of Dior—a fleeting experience that would leave a lasting impression. In time, he would establish his own maison, becoming known as a master of sculptural tailoring. Behind the scenes, Alaïa (who died in 2017) was also a devoted collector of vintage Dior, amassing some 600 pieces. Now his extraordinary personal collection takes center stage in not one but two exhibitions in Paris: a show, at La Galerie Dior spotlighting more than 100 of these rare pieces, and one at the Azzedine Alaïa Foundation, where Dior and Alaïa designs are shown in concert, tracing threads of influence, admiration, and creative kinship. (The former exhibition runs through May 3, 2026; the latter, through May 24, 2026.) For those who won’t be in Paris, Rizzoli and Damiani are publishing catalogues of the exhibits.

A Christian Dior evening gown from the Fall/Winter 1951 haute couture line.

Seoul, South Korea

Rising above Seoul’s Seongsu-dong neighbourhood, Haus Nowhere has quickly become a cultural pilgrimage site for shoppers seeking the next chapter in retail. Opened in September in a 14-story brutalist building, the store is the fourth experimental retail project from IICombined, the parent company of the luxury eyewear brand Gentle Monster. Yes, it sells products, including sunglasses; caps and beanies from Gentle Monster sister brand Atiissu; fragrances by Tamburins; and tableware from Nuflaat. More than anything, though, it’s an unforgettable sensory experience, complete with a colour-saturated teahouse and a rotating roster of art installations, like two painted humanoid giants sitting in meditation (above) and a gargantuan dachshund napping on the floor. It’s a concept store gone supersized.

Giant sculptures inside the Gentle Monster store.

Naples, Florida

“I’m blurring the line between what is man-made and what is made by nature,” says James Perkins (pictured above). The New York–based artist’s practice involves burying silk-covered wood frames and letting the pieces absorb the effects of sun, surf, rain, and earth. Last year year, he buried some of his latest works in Naples, Florida, home of the new Naples Beach Club, A Four Seasons Resort. Perkins is also the subject of his first museum show, Burying Painting, which runs through February 15, 2026, at the Scottsdale Museum of Contemporary Art.

Artist James Perkins at work. Photograph © Leila Brewster.

This article originally appeared in the Four Seasons Magazine on 01-05-2026. –Christina Stefani

Christina Stefani

Christina Stefani founded House of Stefani with a singular conviction: that meaningful work is built through discipline, patience, and long vision.

With more than twenty years of professional practice, she brings both authorship and execution to the studio. Her career spans graphic design, creative direction, illustration, photography, and fine art—each discipline informing the next. This breadth of mastery shapes a body of work defined by compositional clarity, restraint, and enduring visual intelligence.

As an artist, Christina is recognized for luminous, atmospheric oil paintings that explore light, movement, and emotional quiet. Her work reflects an intuitive balance between abstraction and landscape, inviting contemplation rather than conclusion. These same sensibilities guide her approach to design and photography, where classical structure and considered lighting form the foundation of every image.

Christina’s multidisciplinary background informs the gallery’s curatorial voice—art selected not for novelty, but for longevity. She approaches curation as stewardship, shaping collections intended to live with people over time.

She holds degrees in Political Science and Visual Communications from the University of Oregon. Today, she continues to lead House of Stefani as its creative authority—setting the tone, protecting the standard, and guiding the work with quiet certainty.

Artistry guided by mastery.

Work created for life.

https://houseofstefani.com
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